Thursday, August 23, 2012

Chinese Ming Dynasty Buddhist Painting, circa 16th C.

  Chinese Ming Dynasty Buddhist Painting, circa 16th C.
Massive Ming Dynasty Buddhist School Portrait
of the Xuande Emperor (1425-1435)
A while ago we were able to purchase from an estate on Beacon Hill in Boston this terrific Ming Dynasty Chinese painting.  Its an exceptionally well done image, very large and Classically executed in construct, color and symbolism. A style that faded out during the Qing dynasty.

Very few of these paintings appear on the American or European markets as most have either been repatriated to Chinese collections or long ago lost due to damage.

The details are exceptional throughout and are rendered in soft pleasing tones on silk. He is surrounded by billowing clouds beneath a Buddhist canopy and surrounded by two attendants and four acolytes as he sits on his celestial throne. Some typical losses to the paint and silk, detail images are available.

For more information please feel to contact us:
at 978-283-3524
$44,000, Trade inquiry's are of course welcome.

Size: Sight/image size 63.5" tall x 37" wide.
Overall size including frame; 67.5" tall and 41" wide.
The painting weighs 44 pounds including frame and glass.
Ming Dynasty Buddhist Painting

Tuesday, August 14, 2012

Ming To Kangxi Period Wucai and Underglaze Blue Jar, C. 1640

Ming To Kangxi Period Wucai and Underglaze Blue Jar, C. 1640

Chinese Wucai transitional period vase
Fine Ming to Qing Transitional Period Wucai Jar , circa 1640
We are pleased to offer an exceptionally rare and very fine quality ChineseMing To Kangxi Period Wucai and Underglaze Blue Jar, C. 1640.

The colors and quality of decoration is just exceptional in every regard. It is in superb condition.

The 19th C. carved and reticulated lid is fitted with a finely carved greyish white jade 17-18th C. finial. The stand dates from the 19th C. and was made for the piece.

This is one of the finest examples we've ever seen from this period. The absolute control with which the enamels were applied as well as the clear perfectly colored under-glaze blue.

Ming To Kangxi Period Wucai and Underglaze Blue Jar, C. 1640
Ming Transitional Period Wucai Jar, Cover and Stand,
18th C. Mutton far jade lid handle
The potting overall is exceptional as well. This pattern can be found occasionally without the "scale pattern" on vases.

Size: 7" tall and 8" wide without stand or lid. Overall height with the stand and lid is 15 ".

Condition: Excellent overall condition, the original wire handles have long since been removed and can be put back as the holes were filled with only a soft clay like paste. Around the inside of the rim is a very small line which has glaze over it, which indicates this was formed during the firing when the pot shrank slightly. The carved lid with early jade finial is a replacement from the 19th C.

$6,000 This item is SOLD 
Call (978-283-3524) or Email me for more information.
Provenance: Ex-Collection of the Mayor of Newport Rhode Island, Mayor Sullivan circa 1930. Thence by decent through the family. Bought at auction in Newport July 2012.

Chinese Wucai transitional period vase
Side view, Transitional Period Fine Wucai Jar, Circa 1640

Fine Chibnese Wucai jade with jade finial
Side View Ming to Wing Transitional Period Wucai Jar, Circa 1640

wucai jar circa 1640
Side View Ming to Wing Period Wucai Jar, Circa 1640

mouth wucai jar
Mouth, Ming to Qing Period Transitional Jar, circa 1640

Bottom of wucai jar
Unglazed base, Ming to Qing Period Wucai jar, Circa 1640

Wednesday, August 01, 2012

Rare Chinese Jades, Neolithic to Han to Song to Qing Dynasty, A Brief History

Rare Chinese Jades, Neolithic to Han to Song to Qing Dynasty, A Brief History
Neolithic (10,000-2,000BC)
Chinese Jade Cong, Liangzhu Culture

Rare Chinese Jades, Neolithic to Han to Song to Qing Dynasty, A Brief History

When many people think of Chinese art the allure and mystique of Jade often springs to mind first. Just hearing the word Jade conjures images of Asia and more specifically China.

Going back thousands of years this harder than steel stone has been mined, carved, shaped and polished in virtually every shape imaginable. From weapons and axes to mythical animal forms, musical chimes, incense burners, suits of armor, hat nobs, hairpins, bowls, boxes, pendants, death veils, vases and hundreds more to numerous to list.

Jade historically has been held in such high esteem it was for centuries believed to have mythical and magical property's, consequently evolving into a primary  material of choice for religious ceremony's and burials. The use would determine it's form and shape and even color to accompany the deceased into the after world.

han dynasty jade dragon
Han Dynasty (206 BC- 220 AD) Feline Carving in Jade
Carving jade is really a misnomer as its not actually carved they way other stones, Ivory or wood are. Jade is actually ground and rubbed with abrasives, a laborious process which eventually transforms the stone into the desired shape. During the Neolithic Period (10,000-2,000BC) using Red sand, sandstone, bamboo and wooden implements were about all that were used. Wood and Bamboo was used to hold the abrasive while it would be tirelessly worked on the stone to shape it and smooth it out. Drills made from bamboo working the abrasive could in time create holes, channels and grooves resulting in the manufacture of "Bi" disks and "Cong vases", plaques and mythical beasts.  In the earliest periods most of the carving was largely comprised of small amulets, ritual objects and other simple implements.

warring states jade
Warring States (403BC -221BC) Period Jade Plaque
Over the centuries into the Shang Dynasty (1600 -1029BC) with the invention of bronze and then steel, better tools became available for working this incredibly tough rock into the desired forms. Interestingly even when Bronze became available, initially bamboo remained more popular due to it's plentiful supply and bronze's relatively higher cost. More complex forms evolved on an ever increasing scale over time and the objects became larger as better tools became available utilizing metals.

Spinach green jade incense burner
Fine Spinach Green Jade Incense Burner,
Qianlong Period (1736-1795)
With the invention of a foot powered treadle lathe circular saws with mounted steel and bronze worked well in turning the pieces with more precision than ever before possible, leaving the worker's hands free to manipulative the carving. By the 4th C. BC Eastern Zhou /Warring States Period the craft had become very sophisticated including undercut examples, loose link chains and reticulated forms.

Han Dynasty Jade Suit Gold threads
Han Dynasty (206BC-220AD) Jade Suit,
Gold Threads backed with Red Silk
During the Han Dynasty (206 BC- 220 AD) the importance of jade to Chinese culture was no where made more obvious than by the discovery of Jade suites made for the burial of members of the Imperial house during a 20th C. excavation of some tombs. The suits were sewn together using either gold, silver of copper threads/wires and backed with red silk. Since the initial discovery 18 Han tombs have been found containing such amazing creations.

As China's constantly changing political landscape moved through the centuries ever changing regional governments, wars and turmoil created new or changed views towards art which created constant change.  Buddhism's influence, evolution in fashion, burial rituals, scholar's objects all melded together over time creating a vast broad expanse of desirable forms were produced to meet demand of the powerful among the heads of Government, religious intellectuals and wealthy merchants. Eventually, these influences would trickle down to greater and lesser degrees among the working classes.

Imperial jade Qianlong period
Imperial Qianlong (1736-1795) Carved Jade Fish
Throughout it all Jade, the hardest and one of the most beautiful of all stones remained a staple material for inclusion in all kinds of art. Initially Nephrite was the most common type and later Jadeite found it's way onto the carvers table. The two type are both referred to as jade, though they are structurally very different but share similar hardness qualities. Jadeite is slightly harder on the Mohs Scale by around half a point of 6.5 to 7, Nephrite Mohs scale hardness is in the 6 to 6.5 range.

Imperial Qianlong Jade Book
Imperial Qianlong (1736-1795) Jade Book
Nephrite ranges in color from the two most well known a deep dark green and a slightly off white often referred to a "Mutton Fat" in between you can find many ranges and tones of yellows, browns, blue, amber, white, a dry white appearing type known as "Chicken Bone", grey, pale Celadon, russet, red and many more. Very often combinations of these colors can be found in single carvings, which further tests the skills who can successfully seek ways to incorporate these colors into the piece.

During the Ming Dynasty (1368-1644)  jade carving returned to more traditional antecedents reflecting the work done during the Han and Song periods. Jade carving during the Yuan (1271-1368) period, like many traditional Chinese arts, fell to the wayside during China's years under the Mongols.  The revival of traditional art including splendidly executed small mythical creatures, calcified jades resembling Neolithic examples and religious ritual pieces came back into favor among the Imperial court as well as scholars and the literati classes.

Slide Show Of Imperial Jades of the Qing Dynasty (1736-1795)

By the Qianlong (1735-1795) period in China Jade carving had reached a level of elegance and detail never imagined before. China had become an economic powerhouse in world trade, the wealth of this Emperor exceeded the entire wealth of every nation in the west combined.

Qianlong Celadon jade beast
Fine Qianlong (1736-1795) Period Celadon Jade Mythical Beast
The Qianlong Emperor was a true patron of the arts and encouraged almost unbridled creativity among artists. He was also a collector on an epic scale who delighted in seeing new ideas in ceramics, glass, enameling and jade and painting. Thousands of tribute pieces were made for him during his reign filling the Imperial Palace, the Yuan Ming Yuan and pretty much anyplace else he hung his hat. Its been said the Imperial Jade collection under Qianlong exceeded 35,000 examples.

Today the variety of Jades in all of their forms represent the cumulative work of thousands of years. Enjoy them.

Please feel free to contact me with any questions regarding your Asian art. After 35 years its what we do every day.   978 283 3524

~ Peter L. Combs, Gloucester, Massachusetts